{"id":1520,"date":"2014-07-14T13:16:15","date_gmt":"2014-07-14T13:16:15","guid":{"rendered":"http:\/\/wp.kunsthuissyb.nl\/?p=1520"},"modified":"2017-06-28T13:19:37","modified_gmt":"2017-06-28T13:19:37","slug":"extreme-lives","status":"publish","type":"post","link":"https:\/\/old.kunsthuissyb.nl\/?p=1520","title":{"rendered":"EXTREME LIVES"},"content":{"rendered":"

Jelena<\/span> Andjelovski<\/span> en Paula<\/span> M\u00fcller<\/span> ontmoetten elkaar in<\/span> december 2013<\/span> in Zagreb<\/span>. De<\/span> twee kunstenaars<\/span> waren uitgenodigd<\/span> voor een uitwisseling\u00a0in het kader van<\/span> een workshop voor<\/span> Pogon<\/span> Jedinstvo<\/span><\/a>, samen<\/span> met andere kunstenaars<\/span> uit Servi\u00eb<\/span>, Kroati\u00eb en<\/span> Duitsland<\/span>. Ze<\/span> ontdekten hun gedeelde interesse<\/span> voor<\/span> de<\/span> boodschap die<\/span> ligt tussen<\/span> taal en beeld<\/span> en<\/span> besloten<\/span> verder samen te werken<\/span>. In<\/span> SYB<\/span> hervatten zij hun<\/span> samenwerking<\/span> onder de naa<\/span>m<\/span> ‘<\/span>Extreme Lives‘<\/span>.<\/span><\/p>\n

Jelena Andjelovski <\/span><\/strong>(Belgrado<\/span>, <\/span>Servi\u00eb, 1980)\u00a0<\/span>studeerde rechten aan de<\/span> Universiteit van<\/span> Belgrado en<\/span> dramaturgie<\/span> aan de Kunstacademie<\/span> in<\/span> Novi<\/span> Sad<\/span>. Ze noemt zichzelf<\/span> feministisch<\/span> activiste<\/span> en begon<\/span> zich in 2002 in te zetten voor<\/span> het internationale netwerk<\/span> ‘Women in Black’ <\/span>in Belgrado<\/span>. In de daaropvolgende jaren<\/span> werkte ze als<\/span> lerares<\/span>, programmaco\u00f6rdinator<\/span>, organisator en<\/span> woordvoerster van<\/span> andere<\/span> organisaties zoals<\/span> SOS<\/span><\/span> Telephone for Women and Children Victims of Violence,\u00a0<\/span>Incest<\/span> Trauma<\/span> Center Belgrade<\/span>, Autonomous<\/span> Women’s Center<\/span> Belgrade<\/span> en Novi<\/span> Sad<\/span> Lesbian<\/span> Organization.<\/span>
\nSinds 2009<\/span> ontwikkelde\u00a0<\/span>Andjelovski<\/span> verschillende programma’s<\/span> voor<\/span> het jeugdcentrum<\/span> CK13<\/span> in <\/span>Novi<\/span> Sad<\/span>. Bovendien is zij de<\/span> auteur van talrijke<\/span> toneelstukken<\/span> en voorstellingen<\/span>.<\/span><\/p>\n

 <\/p>\n

Paula <\/strong><\/span>M\u00fcller<\/span> <\/span><\/strong>(Trier, 1977) is kunstenaar en woont en werkt in Berlijn.<\/span><\/p>\n


\nPaula: <\/span><\/p>\n

“After intense conversations about Jelenas history and experience during the war and her engagement as a young feminist in her country, we decided to continue our dialogue. I was interested in her approach, and the way she lives feminism today. My own image of this movement is influenced by German history and the development of certain professional figures, that printed the word feminism into the heads of German women and men. Jelena brought an enlightening aspect into my understanding of being a feminist today. At the age of 19 she decided out of necessity to be active in a freedom- movement in her country.\u00a0<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>We met again to start a collaboration in January 2014 in Berlin. Writing and drawing in conversation.\u00a0How do our artistic languages interact and add up to something more than solely pictural or textual understanding of a persons life or destiny.\u00a0<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 For me the question is- what is there to be understood- what can I express- on another level- that the other medium is not able to? We got touched by heavy biographies of women. Old women, women who fought. During the war, who had a vision and a strong political aim. Who have a hard view on love. Extreme love. Women in extreme situations- confrontation with the outside world.<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>In SYB we will work on these histories. We collected true stories of women and work about the way how to transmit these stories in word and image. In my drawings I quote the view on the hand. The hand is situated in between the inner sight and the outside. I connect the outside projection with the conscious view of the own hand. Looking into your palm is peering into your history. Bruises, scars, lines and wrinkles tell about what you were going through. The hand consist many lines, like drawing or writing traces that you know by heart, but cannot read. I project the seen images through the frame of the hand into the world. The story is held together by the perspective, but also by the form of this persons hand.\u00a0<\/span><\/p>\n

Jelenas text is poetic and documentary. Very often her words seem minimalistic and staccato-esque. Feelings get woven into real situations that make us want to scream. We are going to search for stories, mainly womens experiences, that we are going to pierce through with the means of our mediums.”
\n<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"
\nDit project wordt mede gefinancierd door:<\/em><\/p>\n

PAUWHOF FONDS \/
\n<\/em>OVERVOORDE – GORDON STICHTING<\/em><\/strong>
\n<\/em>
\n\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Jelena Andjelovski en Paula M\u00fcller ontmoetten elkaar in december 2013 in Zagreb. De twee kunstenaars waren uitgenodigd voor een uitwisseling\u00a0in het kader van een workshop voor Pogon Jedinstvo, samen met andere kunstenaars uit Servi\u00eb, Kroati\u00eb en Duitsland. Ze ontdekten hun gedeelde interesse voor de boodschap die ligt tussen taal en beeld en besloten verder samen […]<\/p>\n","protected":false},"author":2,"featured_media":1833,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-residency"],"_links":{"self":[{"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/posts\/1520"}],"collection":[{"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1520"}],"version-history":[{"count":2,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/posts\/1520\/revisions"}],"predecessor-version":[{"id":2995,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/posts\/1520\/revisions\/2995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=\/wp\/v2\/media\/1833"}],"wp:attachment":[{"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.kunsthuissyb.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}